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Six Wednesdays

October 7–November 11

5:30–7:00 p.m. PT

Live on Zoom, with recordings included

Lecture + Discussion

30 minutes of instruction followed by 60 minutes of guided conversation

THE COURSE EXPERIENCE

A Whole Tradition in Six Weeks

You do the essential reading. I bring the larger tradition into the room—connecting more than two thousand years of stories, ideas, criticism, and modern television.

WHAT YOU’LL READ AND WATCH

≈ 200

pages across six weeks

10

episodes of one Netflix show

A Focused, Manageable Syllabus

Pliny, Letters 7.27                2 pages

Burke excerpt

+ three works by Poe         30 pages

Walpole,

The Castle of Otranto         115 pages

Coleridge, “Christabel”

and “The Rime

of the Ancient Mariner”      35–45 pages

Hawthorne excerpt

and Jefferson’s letter           25 pages

Flanagan, The Haunting of Hill House
10 episodes

Only one novella is assigned. Everything else is a story, poem, letter, excerpt, or television episode. Around 200 pages total reading

WHAT YOUR INSTRUCTOR SYNTHESIZES

20+

additional primary works

2000+

years of literary history

The larger Gothic tradition brought to you

Ancient and medieval

Homer’s Odyssey, Aeschylus’s Eumenides, and Grettis saga

The Gothic emerges

Radcliffe, Lewis, Austen, Shelley, Godwin, Burke, and Paine

The Haunted Self

Wuthering Heights, The Turn of the Screw, Jekyll and Hyde, Rebecca, Middlemarch, and Shirley Jackson’s Hill House

Gothicism now

Mike Flanagan’s The Haunting of Hill House and The Fall of the House of Usher

The ideas beneath it

Radcliffe, Blackstone, Coleridge, Christopher Baldick, W. J. T. Mitchell, and more

These are not additional assignments. They are the sources used to illuminate, connect, and explain what you read.

Your commitment: roughly 200 pages and one 10-episode series.
What you receive: a guided understanding of the Gothic tradition as a whole.

Your Instructor

Kirk Barbera is a literary educator, media producer, and the founder of Troubadour Studio. He has led readers through Homer, Greek tragedy, Dante, Shakespeare, Milton, and Melville, and now brings that same depth of engagement to the genre of Gothicism.

  • Founder of the Literary Canon Club, established 2020

  • Author of a modern verse translation of Homer’s Iliad

  • Board Member and Actor, Austin Shakespeare

  • Founder of Troubadour Studio, including the Troubadour YouTube education channel and Troubadour Reacts!

  • 16 years teaching, lecturing, and leading in-person and online discussions on literature, drama, poetry, mythology, film, and the Western canon

WHAT PEOPLE SAY

Marco Romero
Real Estate Investor

It has been a thrilling journey to read through the Western Canon. As part of the Literary Canon Club, I have the encouragement to read classics that I have always known about and highly interested in — even some I didn't know about. It is especially insightful to discuss our reading experience as a group and share what we've learned.

Ann Ciccolella    

Artistic Director, Austin Shakespeare

In a world where literature is not easily accessible, the LCC makes it easy to open a treasure chest of valuable artistry. The group is welcoming and Kirk is knowledgeable and inviting. If you have not sampled the Literary Canon Club, have a taste!

Molly Johnson

 

Is this a "great books" club — or a GREAT books club?

Gothicism Ancient To Modern

$295

295

A six-week live course exploring terror, horror, and the haunted past—from ancient ghost stories to The Haunting of Hill House. Recordings included.

Valid for 3 months

Six live 90-minute Zoom sessions

Access to all session recordings

Reading schedule and course materials

Instructor lectures and guided discussions

Gothic pricing plan
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